BERKE TELLI

Life The Fake End is a personal motion design project for an imagined film based on my life. Set during the Covid era, it follows a boy escaping reality through games and the virtual world. Using a Minecraft-inspired character, split-screen visuals, match cuts, and fast-paced music, the sequence explores the connection between real life and digital escape.

1925 is a photography project inspired by the visual atmosphere and style of the 1920s. The project explores a vintage cinematic mood.

Embodiment of Light is a photography project exploring projection as a way to shape the body, surface, and space. Through controlled lighting and projected imagery, the work studies how light can transform a subject and become part of the image itself.

Sugar - The End Game is a short experimental film set in a world where sugar functions like a drug and becomes a symbol of addiction. Developed as the final piece of a shared character universe, the film follows a character’s relationship with temptation, dependency, and control while leaving space for the viewer to interpret the details.

Here/There is a short film exploring the idea of arrival through waiting, uncertainty, and shifting space. The film uses atmosphere and movement to create a sense of anticipation as the viewer moves between one place and another.

Arrival is a short film about distance, memory, and the imagined presence of someone who is no longer reachable. The project explores what feels real and unreal through a character’s connection to an absent partner.

Light.

Life The Fake End is a personal motion design project for an imagined film based on my life. Set during the Covid era, it follows a boy escaping reality through games and the virtual world. Using a Minecraft-inspired character, split-screen visuals, match cuts, and fast-paced music, the sequence explores the connection between real life and digital escape.